The same clip, moved differently
Each clip below is the same footage with a different set of movement, timing and colour decisions applied together.
- Sample coming soon
Footage, moved
The same take with the camera given a push and the grade carried with it.
- Sample coming soon
A quieter treatment
The same clip again, held back — the point is that the vibe is a dial rather than a filter.
One clip, and the look you put on it
Bring one clip
Upload the footage you want treated. The source stays untouched in your library.
Pick a vibe
Each vibe is a coherent set of movement, timing and colour decisions rather than three separate dials.
Adjust the strength
Push the treatment further or pull it back until it sits where you want it against the original.
Render and compare
The treated clip is delivered beside the source so you can judge them against each other.
What Vibe Motion takes, and what it returns
What Vibe Motion needs from you
- What you bring
- One clip you want to feel different
- A direction
- The mood the finished piece should carry
- Where it is going
- Whether it plays alone or sits inside a longer edit
What Vibe Motion returns
- What you get
- The treated clip, ready to cut into an edit
- Your source
- Kept untouched, so you can try another vibe against it
- Delivery
- In your workspace library, beside the original
Movement, timing and colour, moved together
The three levers below are what separate footage that reads as a clip from footage that reads as a shot. The vibe sets them coherently; you decide how far it goes.
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Camera movement
Held still through to sweeping
How much the frame travels, and how deliberately.
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Speed shaping
Even through to sharply ramped
Where the clip slows and where it accelerates, relative to the moment that matters.
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Grade
Neutral through to heavily stylised
The colour treatment, applied across the clip rather than shot by shot.
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Strength
Subtle through to unmistakable
How much of the treatment survives against the original footage.
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Grain and texture
Clean through to filmic
Whether the result reads as digital or as something shot on film.
Engine choice
Pick the one that matches your source.
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Cinematic
VibeSlow, deliberate movement with a restrained grade that lets the footage stay believable.
Brand and narrative work
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Kinetic
VibeAggressive ramps and quick travel, built to hold attention in a feed.
Social and short-form
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Dreamlike
VibeDrifting movement and a soft, lifted grade that pulls the clip away from the literal.
Music and mood pieces
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Documentary
VibeHandheld-feeling movement and a grade close to neutral, so the shot still reads as observed.
Interview and reportage cutaways
Built for people with footage that is fine but flat
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Editors
Give a static plate the movement it never had on the day, without rebuilding it in a compositor.
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Brand and content teams
Make a library of ordinary clips read as one coherent piece of work.
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Musicians and mood-piece makers
Push footage away from the literal when the point of the piece is feeling rather than information.
Built for Growth at Every Stage
Every plan includes every model and every feature. Plans only change how many credits you get and how many generations run at once.
- Credits refresh monthly
- Top-up additional credits anytime
- Unused credits don't roll over
Not ready for the commitment?
FAQ
Frequently asked questions
Everything you need to know about Vibe Motion on BeHooked.
Can I use Vibe Motion today?
Not yet. This page sets out how Vibe Motion is intended to behave, and since it has not shipped we have not published specifications, pricing or timings. Transitions and Upscale Video are available now if you need to treat footage today.
What is a vibe, exactly?
A coherent set of decisions about camera movement, speed shaping and colour, applied together. Treating them as one choice is the point — adjusting them separately is what makes footage look assembled rather than shot.
Does it change my original file?
No. The source stays in your library untouched, and each treated version is delivered beside it, so you can try a different vibe without losing what you started with.
Can I dial the effect back?
Yes. Strength is one of the controls, so the same vibe can read as a subtle correction or as an unmistakable treatment depending on where you set it.
Is this a colour grading tool?
Grade is one of the three things it moves, but not the whole of it. A grade alone leaves footage static; Vibe Motion changes how the frame travels and how the clip is timed as well.