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Video

Same clip. Completely different feeling.

Camera movement, speed and grade applied together, so a flat piece of footage reads the way you meant it to.

Real output

The same clip, moved differently

Each clip below is the same footage with a different set of movement, timing and colour decisions applied together.

  • Sample coming soon

    Footage, moved

    The same take with the camera given a push and the grade carried with it.

  • Sample coming soon

    A quieter treatment

    The same clip again, held back — the point is that the vibe is a dial rather than a filter.

How it works

One clip, and the look you put on it

01

Bring one clip

Upload the footage you want treated. The source stays untouched in your library.

02

Pick a vibe

Each vibe is a coherent set of movement, timing and colour decisions rather than three separate dials.

03

Adjust the strength

Push the treatment further or pull it back until it sits where you want it against the original.

04

Render and compare

The treated clip is delivered beside the source so you can judge them against each other.

Inputs and outputs

What Vibe Motion takes, and what it returns

What Vibe Motion needs from you

What you bring
One clip you want to feel different
A direction
The mood the finished piece should carry
Where it is going
Whether it plays alone or sits inside a longer edit

What Vibe Motion returns

What you get
The treated clip, ready to cut into an edit
Your source
Kept untouched, so you can try another vibe against it
Delivery
In your workspace library, beside the original
What you can control

Movement, timing and colour, moved together

The three levers below are what separate footage that reads as a clip from footage that reads as a shot. The vibe sets them coherently; you decide how far it goes.

  • Camera movement

    Held still through to sweeping

    How much the frame travels, and how deliberately.

  • Speed shaping

    Even through to sharply ramped

    Where the clip slows and where it accelerates, relative to the moment that matters.

  • Grade

    Neutral through to heavily stylised

    The colour treatment, applied across the clip rather than shot by shot.

  • Strength

    Subtle through to unmistakable

    How much of the treatment survives against the original footage.

  • Grain and texture

    Clean through to filmic

    Whether the result reads as digital or as something shot on film.

Engine choice

Pick the one that matches your source.

  • Cinematic

    Vibe

    Slow, deliberate movement with a restrained grade that lets the footage stay believable.

    Brand and narrative work

  • Kinetic

    Vibe

    Aggressive ramps and quick travel, built to hold attention in a feed.

    Social and short-form

  • Dreamlike

    Vibe

    Drifting movement and a soft, lifted grade that pulls the clip away from the literal.

    Music and mood pieces

  • Documentary

    Vibe

    Handheld-feeling movement and a grade close to neutral, so the shot still reads as observed.

    Interview and reportage cutaways

Who it's for

Built for people with footage that is fine but flat

  1. Editors

    Give a static plate the movement it never had on the day, without rebuilding it in a compositor.

  2. Brand and content teams

    Make a library of ordinary clips read as one coherent piece of work.

  3. Musicians and mood-piece makers

    Push footage away from the literal when the point of the piece is feeling rather than information.

One product. Pick your volume.

Built for Growth at Every Stage

Every plan includes every model and every feature. Plans only change how many credits you get and how many generations run at once.

Pro

Occasional projects

2,900/month

Get Started

Credits per month

60,000

≈1,000 images or ≈12 videos


At once

6 parallel generations

Max

Daily production

5,900/month

Get Started

Credits per month

150,000

≈2,700 images or ≈30 videos


At once

8 parallel generations

Ultimate

High-volume

9,900/month

Get Started

Credits per month

260,000

≈4,700 images or ≈55 videos


At once

10 parallel generations

Enterprise

Teams & agencies

1,00,000+/month

Contact Us

Credits per month

Custom volume

≈1,000 images or ≈12 videos


At once

Custom concurrency

  • Credits refresh monthly
  • Top-up additional credits anytime
  • Unused credits don't roll over

Not ready for the commitment?

Pay as you go

Free to sign up. Buy credits when you need them, same models, same features as every plan above.

Buy Credits

Credit packages

15 credits per 1

You pay You get
500 7,500 credits
1,000 15,000 credits
2,000 30,000 credits

FAQ

Frequently asked questions

Everything you need to know about Vibe Motion on BeHooked.

Can I use Vibe Motion today?

Not yet. This page sets out how Vibe Motion is intended to behave, and since it has not shipped we have not published specifications, pricing or timings. Transitions and Upscale Video are available now if you need to treat footage today.

What is a vibe, exactly?

A coherent set of decisions about camera movement, speed shaping and colour, applied together. Treating them as one choice is the point — adjusting them separately is what makes footage look assembled rather than shot.

Does it change my original file?

No. The source stays in your library untouched, and each treated version is delivered beside it, so you can try a different vibe without losing what you started with.

Can I dial the effect back?

Yes. Strength is one of the controls, so the same vibe can read as a subtle correction or as an unmistakable treatment depending on where you set it.

Is this a colour grading tool?

Grade is one of the three things it moves, but not the whole of it. A grade alone leaves footage static; Vibe Motion changes how the frame travels and how the clip is timed as well.

Make ordinary footage read as a shot

Experience Vibe Motion and every specialized AI app in your workspace.

Try Vibe Motion