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Solutions / Education & training

For learning teams

One recording,every language.

Course modules, onboarding and product training that stay consistent across a catalogue — and localise without going back to a studio.

90%
Lower cost per course module
175+
Languages with lip-synced dubbing
1
Presenter across the whole catalogue

Training content ages the moment the product changes, and re-recording it is why so much of it does not get updated. BeHooked separates the lesson from the recording: the same module regenerates with a new script, a new language or a new presenter without anyone stepping in front of a camera again.

The problem

Training ages the moment the product changes.

A module is recorded once, the product ships a new release, and now the catalogue teaches something that is not true any more — because re-recording means booking the presenter, the studio and the edit all over again. So it does not get updated, and the training quietly drifts out of date.

How it goes today

  • Updating a module means re-recording the module
  • Each language is a new recording session and new talent
  • Presenters change and the catalogue stops matching itself
  • Production capacity decides how much training exists

How it goes here

  • Updating a module means editing the script
  • Each language is a dub of the module you already have
  • One virtual instructor holds across every module
  • The curriculum decides how much training exists
See it work

One script, every language.

A module generated from a script with one virtual instructor, then dubbed with lip-sync adjusted to each new track.

A course module generated from a script and dubbed into several languages
  1. Write the module — no studio slot, no presenter availability
  2. Cast one instructor and keep them across the catalogue
  3. Dub into forty languages with lip-sync on the original footage
What you'll use

Whatever the module calls for, it is here.

The studios a learning team reaches for, from script to localised catalogue.

Why BeHooked

Made for a catalogue that has to stay current.

Three things that separate the lesson from the recording.

Updating a module means editing the script

The recording is not the asset — the script is. A changed line is a re-render rather than a re-shoot, which is why the catalogue can actually stay current.

A course module regenerated from an edited script

One instructor across two years of modules

A trained presenter is reusable, so a catalogue built module by module still reads as one course rather than as whoever was available that quarter.

The same virtual instructor fronting several course modules

Localising without re-recording

Dub the finished module into forty languages with lip-sync adjusted to the new track, rather than shooting each market separately.

A module dubbed into several languages with matched lip-sync
The run

How the work actually moves.

Four stages of one production run, in the order they happen.

  1. Write the module, not the shoot

    A script or an outline is the input. There is no studio slot, no presenter availability and no reshoot for a changed line.

  2. Cast one instructor and keep them

    The same virtual presenter fronts every module, so a catalogue built over two years still looks like one course.

  3. Localise without re-recording

    Dub the finished module into forty languages with lip-sync adjusted to the new track, rather than shooting each market separately.

  4. Wire the whole thing as a pipeline

    Script, render, dub and publish become one saved Nodeflow, so the next module is a run rather than a project.

Real output

Made for learning teams, by BeHooked

Course work generated on this surface. Every tile started as a script.

A car below a snow-capped peakA car on a highway at golden hourA living room interior with a fire effect
A high-contrast graphic portraitA figure lit at nightA cat at the shoreline
A figure in a field of flowersA portrait against a starfieldA figure seated in a sunlit hall
Customers

Not just us saying it.

What education & training say after the first month.

Our onboarding catalogue used to go stale between releases. Now a product change is a script edit, and the localised versions land the same week rather than the next quarter.
Anita Deshpande Head of Learning, Northlight
One product. Pick your volume.

Built for Growth at Every Stage

Every plan includes every model and every feature. Plans only change how many credits you get and how many generations run at once.

Pro

Occasional projects

2,900/month

Get Started

Credits per month

60,000

≈1,000 images or ≈12 videos


At once

6 parallel generations

Max

Daily production

5,900/month

Get Started

Credits per month

150,000

≈2,700 images or ≈30 videos


At once

8 parallel generations

Ultimate

High-volume

9,900/month

Get Started

Credits per month

260,000

≈4,700 images or ≈55 videos


At once

10 parallel generations

Enterprise

Teams & agencies

1,00,000+/month

Contact Us

Credits per month

Custom volume

≈1,000 images or ≈12 videos


At once

Custom concurrency

  • Credits refresh monthly
  • Top-up additional credits anytime
  • Unused credits don't roll over

Not ready for the commitment?

Pay as you go

Free to sign up. Buy credits when you need them, same models, same features as every plan above.

Buy Credits

Credit packages

15 credits per 1

You pay You get
500 7,500 credits
1,000 15,000 credits
2,000 30,000 credits

FAQs

Questions, answered.

The things education & training ask before they start.

Can I translate courses I have already recorded?

Yes. Upload the existing video or audio, choose the target languages, and the localised track comes back with lip-sync applied to the original footage.

How do teams collaborate on a module?

Shared workspaces let instructional designers, writers and producers work against the same assets and generation history rather than passing files around.

Does the presenter stay consistent across modules?

Yes. A trained presenter is reusable, which is the point — a catalogue built module by module still reads as one course.

Elsewhere

Other ways teams use it.

Nothing is gated by audience — these are the same workspace, arranged for a different week.

Start with what you already have.

Bring the photos, the script or the brief. The first render is minutes away, not a booking away.

Start creating