One clip in, the same clip captioned out
The words are taken from the audio you supply, checked before they are drawn, and burned into the picture so the cut still carries with the sound off.
- A clip with speech in it The transcript is taken from the audio you supply.
- The transcript, checked Read it and correct names or anything mis-heard before it is drawn.
- A caption style The typeface, where the words sit and how much emphasis they carry.
Upload, choose a style, burn them in
Upload a clip
Bring a video with speech in it. The transcript is taken from the audio you supply.
Check the words
Read the transcript and correct names, jargon or anything mis-heard before it is drawn.
Choose a caption style
Set the typeface, the placement and how much emphasis the words carry.
Burn in and export
The captions are rendered into the picture and the finished clip lands in your library.
What Dynamic Captions takes, and what it returns
What Dynamic Captions needs from you
- What you bring
- A clip with speech in it
- Audible dialogue
- Speech clear enough to be transcribed accurately
- A style intent
- How present the words should be against the picture
- Optional corrections
- Names, product terms and spellings you want honoured
What Dynamic Captions returns
- What you get
- Your clip with the captions rendered into the picture
- Along the way
- The corrected transcript, kept so it can be reused
- Delivery
- In your workspace library, beside the clip you uploaded
How the words look, land and move
Captions are a design decision, not a compliance step. These controls decide whether they support the clip or fight it.
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Typeface and weight
Restrained through to bold
How much visual space the words claim in the frame.
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Placement
Low and out of the way through to centre stage
Where the captions sit relative to the subject.
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Emphasis
Even through to strongly accented
Whether key words are picked out or the line reads uniformly.
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Animation
Simple appearance through to pronounced motion
How the words arrive as they are spoken.
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Colour treatment
Neutral through to brand-led
Whether the captions read as neutral typography or carry your palette.
Engine choice
Pick the one that matches your source.
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Clean
Caption stylePlain typography that stays out of the way and simply keeps time with the voice.
Interviews and long-form cutdowns
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Punch
Caption styleHeavy weight and strong emphasis on the words that carry the line.
Feed-first short-form
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Editorial
Caption styleTypographic treatment closer to print, with restrained motion.
Brand and campaign work
Built for anyone whose audience watches muted
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Short-form creators
Hold someone who is scrolling with the sound off, which is how most of them arrive.
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Marketing teams
Make campaign video legible in a feed without recutting it for silence.
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Accessibility-minded publishers
Give every clip visible dialogue as a matter of course rather than as an afterthought.
Often used with
Built for Growth at Every Stage
Every plan includes every model and every feature. Plans only change how many credits you get and how many generations run at once.
- Credits refresh monthly
- Top-up additional credits anytime
- Unused credits don't roll over
Not ready for the commitment?
FAQ
Frequently asked questions
Everything you need to know about Dynamic Captions on BeHooked.
Can I use Dynamic Captions today?
Not yet. This page describes how Dynamic Captions is meant to work, and because it has not shipped we have not published specifications, pricing or timings for it. The rest of the workspace is available now, and Translation already handles spoken language on finished video.
Are the captions burned in or a separate track?
Burned into the picture. That is what makes them survive being reposted and re-uploaded, which a sidecar subtitle file generally does not.
Can I correct the transcript?
Yes, and you are meant to. Names, product terms and jargon are exactly what automatic transcription gets wrong, so the transcript is offered for correction before anything is drawn.
Will the captions match my brand?
Typeface, weight, placement and colour treatment are all controls, so captions can read as neutral typography or carry your palette throughout.
Does this replace accessible subtitles?
Treat it as complementary. Burned-in captions make a clip legible when it is watched muted; a separate subtitle track remains the right thing where a viewer needs to toggle or restyle it themselves.
